Behind UCT’s Removed Art: the Writing on the Wall

Authors

  • Ivor Powell

DOI:

https://doi.org/10.5860/jifp.v2i3-4.6412

Abstract

Editor’s note: This commentary was first published in the South African Art Times, and is reproduced here with permission.

During the past two years, fine art has been under attack at the University of Cape Town (UCT), with artworks defaced, intentionally destroyed by fire and blacklisted during various student protests. In response, some 74 works of art from the University’s collection—by some of the country’s most acclaimed artists—have been taken down or covered up “on the grounds of their vulnerability to potential damage” or because “some members of the campus community have identified certain works of art as offensive to them—for cultural, religious or political reasons.”

Author Biography

Ivor Powell

Michael Zimmer, PhD, is a privacy and internet ethics scholar, most notable for his work in online privacy, the ethical dimensions of social media & internet technologies, libraries & privacy, and internet research ethics. He is an Associate Professor in the School of Information Studies at the University of Wisconsin-Milwaukee, where he also serves as Director of the Center for Information Policy Research.

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Published

2018-04-09

Issue

Section

Commentaries